Posts tagged: sf capoeira

A Day for Mestre Carlos

By admin, September 29, 2009 5:02 pm

Mestre Carlos was not only our teacher but a very close friend. I will always remember the day when Palhaço called me to tell me that he passed away. September 27, 2006. I cried a lot. I was sad because I lost a friend and teacher.  I couldn’t comprehend our lose. I didn’t understand the enormity of who we lost. It was just too big.

The first day after his death our house became the mourning space for all of the capoeirtas. We all just sat there. Speechless. But we were there together, like the family that we have always been.

Once the word got out of his passing, the phone calls started to come in. People calling us to confirm what they heard. We became not only the mourners but the consolers.

But Mestre Carlos was not going down like that. People were not going to wear black to a somber funeral. He was going to have us celebrate his life. So for the next week we danced, we drummed and we played capoeira. It was the ultimate celebration of Carlos’ life.

And we haven’t stopped. What has now become a new tradition, Mission Cultural Center hosts ‘A Day for Carlos.’ On this day Mestre Carlos’ capoeira students, drummers and dancers come together to celebrate his incredible life. The event started off with a capoeira roda in the lobby of the center. After the roda we went upstairs for live drumming and dance class. And, of course, as always, we brought the celebration to the streets. Here are some videos of the event.

[youtube=http://www.youtube.com/watch?v=EEu5RrEVPMc&hl=en&fs=1&]

[youtube=http://www.youtube.com/watch?v=Fyd2Vtf92eI&hl=en&fs=1&]

I Encontro Internacional da A.C.A.P.O.E.I.R.A

By admin, September 8, 2009 5:32 pm

Immediately after our batizado,  Mestre Preguiça, Mestre Di Mola, Prof. Indio and Prof. Baiano jumped on the plane to go to Vitoria, Brazil to Mestre Capixaba’s (A.C.A.P.O.E.I.R.A) international encounter. Tons of capoeiristas made it out to this event to not only play capoeira with some of the top mestres and professors but also to celebrate Mestre Preguiça’s 50 years of capoeira. This year Mestre Capixaba made the celebration of his 50 years a centerpiece of the event. Congratulations Mestre!

Thanks to Prof. Indio we have pics and video footage of the event. You can check out his website at http://guanabara.ca/ for more information on his school in Canada. Thanks Prof. Indio!

[youtube=http://www.youtube.com/watch?v=SHkWBVqCxok&hl=en&fs=1&]

What a Week!!

By admin, September 2, 2009 6:34 pm

IMG_2886.JPG

We just had 4 full days of incredible workshops and batizado. What a week! Mestre Di Mola, Prof. Baiano and Prof. Indio came in for the event and added amazing energy to the event. Prof. Baiano conducted incredible music classes, we had an open roda on 24th and Mission and played a ton of capoeira!

But they weren’t the only ones to come visit us in SF! We had students from every single one of our chapters in the US and Canada join us. Chicago, NYC, LA, Seattle, Madison, Amherst, Minnesota, Winnipeg, and even Sweden. It was such a great event. But let the pics tell the story….

Here are photos from the batizado.

Omulu Capoeira Guanabara Batizado-San Francisco

By admin, August 13, 2009 3:27 am

Our batizado is right around the corner. Here are the details:

Wednesday, August 19th

  • 4:00-5:15 Music Workshop ($10) @ Aceituno Arts, 2141 Mission Street, San Francisco 94110 (Mission District)
  • 6:30-10:00 Capoeira Workshops @ Harvey Milk Center, 50 Scott Street, San Francisco, 94117 (Castro)

Thursday, August 20th

  • 4:30-5:30 Open Roda @ 24th st.and Mission st., 94110
  • 6:30-10:00 Capoeira Workshops @ Harvey Milk Center, 50 Scott Street, San Francisco, 94117 (Lower Haight)

Friday, August 21st

  • 4:00-5:15 Music Workshop ($10) @ Aceituno Arts, 2141 Mission Street, San Francisco 94110 (Mission District)
  • 6:30-10:00 Capoeira Workshops @ Harvey Milk Center, 50 Scott Street, San Francisco, 94117 (Lower Haight)
  • 11:00-1:00 am Celebration for Mestre’s 50 years of capoeira @ Aceituno Arts 2141 Mission Street, San Francisco 94110

Saturday, August 22nd (Batizado)

  • 10:30 am-3:30 pm San Francisco Batizado @ Harvey Milk Center, 50 Scott Street, San Francisco, 94117
  • 10:00 pm-2:00 am Party at Pena Pacha Mama with Fogo na Roupa (Carlos Aceituno’s Brazilian Bateria) $10 at the door

***Individual workshops are $30. Each day there are 2 workshops. The first workshop is 6:30-8:00 and the second is 8:30-10:00. (if you plan on attending only the second workshop please get there at 8:00 to warm-up). Batizado without the package costs $60.

Getting to San Francisco from SFO or Oakland

For those of you flying in from out of town it is really easy to get to the city from the airport. The BART (The Bay Area subway system) has a stop at the airport and you can take that into the city. Go to this website for further info http://tripplanner.transit.511.org/mtc/XSLT_TRIP_REQUEST2?language=en. This website works for both SFO and Oakland. This website will also give you the routes for the MUNI (the san francisco bus system).

Housing

As for housing, we are working that out right now. Once we get everything settled which should be within this week, we will have your hosts contact you.

San Francisco Resources

Also, for those of you out-of-towners, there are a lot of things to do in the Bay Area. Here are some websites that you can check out that will give you some good places to check out.

http://www.sfstation.com/ (General san francisco guide)

www.yelp.com (Great website that will give you great restaurant and shopping recommendations)

http://www.onlyinsanfrancisco.com/

We look forward to this years batizado!

Instructor photo from lasts years SF batizado (2008)

Instructor photo from lasts years SF batizado (2008)

The (soon to be) annual RODATHON!

By admin, August 11, 2009 3:31 am

Yesterday we hosted our first annual RODATHON.  This open roda was a fundraiser for our batizado that is coming up in two weeks. The roda was held at Dolores Park in San Francisco on an unusually sunny day.  What can I say? It was a huge success! We had an amazing number of capoeirstas that came from all over the Bay Area to support. The energy was solid, music on point and, yes, we raised a lot of money!  Berimbaus were given out to the capoeiristas that raised the most money. In the beginning we were only going to give out one to the top student but we had three students that did such an amazing job that we had to give out 3 berimbaus!

Congratulations to our top fundraisers!

First Place: Rebecca Calisi  Second Place: Todor Tzolov  Third Place: Laurette Garcia

A big thanks to everyone in coming together in this fundraising effort. This is proof that grassroots fundraising is as strong as ever!

If you are interested in participating or watching Omulu Capoeira Guanabara’s batizado go to www.omulu.org for more info.

Don't get kicked in the face and other tips for beginners

By admin, July 26, 2009 8:45 pm

by Trevor Gregg (Trovão)

Trovão, a veteran capoeirista, good friend and excellent writer, has come up with an excellent assortment of tips and advice for beginners. This is a must read for all capoeira beginners (especially with batizado on the horizon).

Batizado season is upon us.  Panicked and eager, beginners are crowding our rodas and academies.  Slightly off-beat clapping and mispronounced, mumbled lyrics ring in the air.  Gearing up for our own batizado, our instructors have been teaching a series of fundamentals workshops just to get the white-belts ready for their big day.  Aww, look at them doing their little cartwheels.  They grow up so fast!

Seeing beginners struggle, train, and play brings back vivid memories of my own long and difficult initiation in capoeira.  Making mistakes, and hopefully learning from them, is every initiate’s burden to bear.  I consider myself somewhat of an authority on beginner mistakes, not because I have any sort of talent or ability but rather because I’ve made nearly every mistake possible.  Many of them several times over.

A few things I’ve been taught, then, to help the next generation survive the coming months.

1)  When in doubt, do what the higher belts do.

Capoeira has few ‘rules’ per se, but makes up for it with a staggering amount of traditions, manners, customs, and obscure points of etiquette.  There are far too many subtle but important tenets to learn early on in one’s capoeira career, and there is certainly no definitive list of them.  What few customs are explicitly told to you as a beginner are but the smallest pile of snowflakes atop the massive iceberg.  The poor man’s solution, then, is to watch how the veteran capoeiristas behave, especially towards their ‘betters’.  Watch the way your instructor enters a roda when playing a mestre.  How do they buy in?  Do they show straight kicks, rasteiras? (Hint: no.)  Do they stop the game?  Throw palmas and elbows?  (Hint: No also.)  Pick a couple of high cords, pay close attention to them, and if they aren’t getting yelled at or kicked by the mestres chances are whatever they’re doing is ‘right’ and can be safely emulated.

2)  Escape, don’t flinch.

There will come a day when your instincts, sharpened by years of intense training and abuse, will serve you so well that a solid escape will be a completely natural response to any assault.  Whether it’s kicks in the roda, fly balls at the baseball game, water balloons, wild pumas, whatever, you’ll be such an excellent capoeirista that you’ll esquiva any and all attacks with grace and dexterity.  That day is probably not today.  Thus, you must make a direct and conscious effort not to just flail away from kicks and takedowns.  When another player comes at you, even if you’re surprised, do not flinch or flop around on the ground.  Swatting the air like you’re battling bees is not proper technique.  Instead, evade carefully and discriminantly, like you’ve been taught.  Choose an esquiva from your repertoire and execute it.  Did you do it perfectly? Maybe.  Probably not.  But any esquiva you can walk away from is a good one.

3)  Make your kicks count.

Every kick you throw opens you up to a variety of counterattacks, sweeps, and takedowns.  To minimize this inherent vulnerability, make your kicks matter.  Many capoeiristas, particularly beginners, have a tendency to kick too often and with too little intent.  Setting aside technique, the two essential considerations in an effective kick are distance and aim.  You can throw a textbook perfect armada, the kind of beautiful movement that brings a tear to your mestre’s eye, but if you do it when you’re fifteen feet away from your opponent it’s completely wasted.  At best it’s a pointless and energy-wasting decoration.  At worst it’s an opportunity for your opponent to pull out your support leg and ruin your evening.  A kick that’s properly distanced, however, forces the recipient to escape before doing anything, including kicking you back.  Whether you’re playing a beginner or a veteran, it’s guaranteed that your opponent’s priorities will be as follows:

1) Get to safety
2) RETALIATE

If they can skip number 1, it leaves them all the more time to work on number 2.

The second factor in an effective kick is intent.  Beginners are often overly sympathetic, which results in various sloppy habits: pulled kicks, ludicrously slow or stalled movements, and awkward roda apologies.  Forget all that.  Aim your kicks.  Strike to hit.  If you throw a clean, effective kick and your opponent doesn’t avoid it, that’s their fault, not yours.  Don’t mistake my meaning: intent is not the same thing as anger.  A kick can have intent and be still be controlled, courteous, even friendly.  I’m not suggesting you dive into the roda with murder in your heart, ready to lay waste to all comers and make a trophy necklace with their ears.  That’s low-class.  Simply make sure your opponent understands that there is a penalty, however slight, associated with not avoiding your attacks.

In the long run, effective kicks are just as important to your safety as good esquivas.  When you’re training, or playing with your friends, often times people will escape from your kicks even when it’s not necessary.  Don’t rely on this; you will come across people who only dodge when necessary, people who will take every advantage of your crappy kicks.  Getting the courtesy dodge from your opponent should be just as embarrassing as getting the courtesy laugh after telling a bland joke.

Don’t be that person that expects the courtesy laugh, or the courtesy esquiva.  He/she has no friends and is shunned at parties.

4)  Whatever happens in the roda, don’t stop.

Every beginner goes deer-in-the-headlights at some point.  Capoeira has a steep learning curve, and beginners lack both the vocabulary of moves and the understanding of the game to deal with every situation.  That being said, it’s always better to do something than nothing.  If you’re not sure how to react to what the other player is doing, just do what you know.  Ginga, au, kick, whatever.  However awkward and silly the thing you’re doing seems, it’s quite a bit better than just standing there.  Holding still gives your opponent an open invitation to force you to move, either by making you escape an attack or by pushing you out of the roda so they can interact with someone less catatonic.  Everyone, regardless of level, will encounter situations in the roda for which they’re not prepared.  It happens to me often: my opponent will be doing some crazy no-handed physics-defying backflippy thing that is entirely impossible to respond to and I’m left completely at a loss.  Still, I force myself to do something, ginga, floreo, handstands, whatever.  Waiting like a bump on a log, however, is not a viable option.

This point is especially applicable after a takedown.  Remember that a successful rasteira or vengativa is not always the end of the game.  If you’re a low cord, it’s best to let your opponent decide when or if to reset the game.  If you’re swept, do not lie prone and expect the other player to give you time to recover.  Sometimes they will, sometimes they won’t.  There are players who are as likely to jump on you as give you a hand up.  So get back up, post haste.  Laying flat with a smile on one’s face or giving your opponent a thumb’s up is not a valid defensive posture.  Role away, keep your hands up, and do whatever you have to to regain your composure and continue the game.

5)  Stop looking at the ground.  Seriously.

The ground will not kick you, but the same cannot be said of the person you’re playing.  Watch them instead.  Recognize that your desire to look at the floor is like a toddler’s security blanket; it might make you feel better, but is of no practical use when you’re in danger.  The sooner you learn to live without it the better.  Don’t be that weird kid in fifth grade who still can’t leave the house without his binkie.

6)  Enjoy yourself.

You’ll reach an important milestone, a day when the enjoyment you get out of capoeira finally eclipses the sheer terror you feel when entering the roda.  This more than any other achievement will help you on your way to greatness.  You’ll quickly find yourself more relaxed, more creative, and more inspired to play.  It is a game, after all, and you’ll play better when you’re having a good time.  The more you play, the more comfortable you’ll get in the roda.

So go play.

Olha a pisada de Lampião

By admin, May 21, 2009 5:54 pm

Lampião

É, É, É, Tum, Tum, Tum

Olha a pisada de Lampião

É, É, É, Tum, Tum, Tum

Lampião desceu a serra

É, É, É, Tum, Tum, Tum

Pra buscar Maria Bonita

É, É, É, Tum, Tum, Tum

Pra ajudar fugir da polícia


Eh, Eh, Eh, Toom, Toom, Toom

See the footsteps of Lampião

Eh, Eh, Eh, Toom, Toom, Toom

Lampião descended from the sierra

Eh, Eh, Eh, Toom, Toom, Toom

To look for Maria bonita

Eh, Eh, Eh, Toom, Toom, Toom

To help escape from the police


This is maybe one of my most favorite songs to sing. But Mr. Lampião had quite the legend. His activity was far more documented making him less mystical than Besouro. He was an outlaw and a mean one at that. He scoured the countrysides with Maria Bonita raising hell.

Here is an article I found off of www.brazilbrazil.com that gives a good explanation of who this man was. I am not sure who authored this piece but the the direct link is http://www.brazilbrazil.com/lampiao.html. (I am not quite sure why they titled the article the way they did. Maybe they were playing around with irony. Anyways, read on….)

Lampião – The greatest hero in Brazilian folklore

Virgulino Ferreira da Silva was born in 1897 in the Northeastern state of Pernambuco. This is the hash country described by Euclydes da Cunha in his famous work, The Backlands (Os Sertoes). It is a land of little water, much cactus and scrub vegetation, not unlike that of the American Southwest. Although one of the oldest areas of Brazil, it has traditionally been one of the most backward. Few people received anything beyond a rudimentary education. Local society was ruled by large landholders and political bosses, often one and the same. These bosses and/or landowners had their armed men, just like the big ranchers in Arizona or the Mafia street enforgers. They were called Cangaceiros – men of the Cangaço, as the badlands are called.

lamp.jpg


As Virgulino grew up, he and his family got entangled in the ever-present local feuds, the reason being, of course, defense of honor. The family somehow ended up of the bad side of the local police, and in a raid on his home, Virgulino’s father was killed. It was an event that the police would regret. At age 25, Virgulino became Lampião, the scourge of the backlands and killer of police and soldiers, which he always called macacos (monkeys). For the next 15 years he would never be far from the headlines of newspapers throughout Brazil.

Lampião is often said to be the Robin Hood of Brazil. No way! Not unless Robin Hood started his career robbing sick bed-ridden 90 year old ladies. Lampião was a complex man, religious yet brutal. He was also vain, appearing in dozens of photos and giving interviews whenever possible. His band rarely totaled more than 40 men, but he would fight battles against up to 200 militia or special police.

It is hard to imagine that a small band of bandits was able to operate in the open against state police and troopers for a decade and a half. But in the Northeast of Brazil in the 20s and 30s, the roads were cattle trails, water was scarce, the police corrupt, local bosses were fearful, telegraph lines almost non-existent and people didn’t want any more trouble in their already hard lives. Most of the population had nothing that Lampião or his band wanted.

Cartazlamp.jpg

Hero or bandit?

Captain Virgulino, as Lampião liked to call himself, had no shortage of enemies. The fact that he would shoot any officer or trooper on sight insured that they would be mortal foes. The state and local politicians resented his prestige and power. But catching and killing Lampião was not easy. He knew the country side, he had spies, and he had friends. Most of the police sent against him were not overly enthusiastic about the possibility of getting ambushed in the brush. The cancageiros also had women in their band. The most famous was Maria Bonita (Pretty Mary), Lampião’s companion until death.

Maria Bonita

Maria Bonita

Because the police did nothing against him, most of the people reluctantly helped him. Not many folks joined him, however. Lampião was not a revolutionary, he was a bandit. Those who opposed him could lose everything, including their lives. In the event of betrayal or squealing to the police, the cancageiros were merciless. On the other hand, if Lampião and company came to town, and he had no reason to be mad at you, and you had nothing he wanted, quite often he would arrange a party with music and plenty of cachaça, and everybody would have a grand old time.

lamp_04.jpg

The dark side of Lampião

Not only did Lampião wipe out whole households of enemies at times, he would assault small towns and cities alike, killing police, asking local merchants for “contributions”, seizing any good he could carry off and often distributing those which he could not to the local population. Often women were raped. Mostly, these were women associated with the police and/or any opposing faction. Early in his career, Lampião and over 20 of his band gang raped a young wife of a soldier, while the poor man was forced to watch. Incidents of Lampião digging out a man’s eyeballs with a knife and cutting off a woman’s tongue have also been substantiated.

In 1938, Lampião’s long career ended. In the end, he was betrayed by one of the local supporters, who under threat of torture, told the soldiers were the outlaws were. On a beautiful July morning 50 soldiers armed with machine guns crept up and surprised an equal number of cangaceiros. About forty bandits managed to escape, but the leaders were clearly visible and were targeted in the first shots. Lampião and Maria Bonita were among the dozen bodies left dead after 20 minutes of battle. To insure that the news of Lampião’s often heralded demise would be believed, the soldiers took the heads of the captives to Salvador, were they remained on display for over 30 years.

Lampião's Head

Lampião's Head

Lampiao’s death signaled the end of an era. Maria Bonita and Lampião had a daughter, who is still living last I heard. The cangaceiros still live in popular folklore, cordel literature, comics, TV and movies. Best of all, the band’s favorite song, Mulher Rendera, which they would sing as they went into a town, is a wonderful tune almost every Brazilian knows. For a good (and very romanticized and sanitized) version of Lampião and his merry men, I recommend the movie Lampião, O Rei do Canganço with Leonardo Vilar and Gloria Menezes.

Paraná Eeeeeee!!

By admin, May 4, 2009 3:58 pm

We went over ‘E Paraná’ in our class yesterday and breifly touched on why Paraná is included in several capoeira songs. I was able to pull up an excellent article that goes into more detail…..

This article was taken from www.capoeira-connection.com.

Paraná River

Why sing Paraná ê?
Written by Formada Ana Marley & Manuel de Querino
Tuesday, 19 February 2008

Translated into English by Shayna McHugh

Source: Capoeira Santista

Much of capoeira’s philosophy and history is recorded between the lines of its songs, not forgetting that part of this history is linked with that of Brazil. This is why it’s important to research and question the meaning of some songs, since their main purpose is to pass on a message, whether immediately or for later reflection.

So we are going to talk a little bit about the historical content within one of capoeira’s most popular songs: Parana ê. It refers to the War of Paraguay, but what was this war?

It began in 1865 and lasted five years. At the time, Paraguay was the only country in Latin America that could be considered independent, and it found itself in full industrial development, with weapons and gunpowder factories. Unproductive land was being transformed into state plantations, generating employment for the whole population.

Impeding the process of Paraguay was a big challenge for England, because Paraguay became a big competitor in productivity. Brazil and Argentina, on the other hand, were interested in taking possession of parts of Paraguayan land.

The spark that initiated the war occurred on November 24, 1864, when Paraguayan president Solano López cut ties with Brazil, captured the Brazilian ship Marques de Olinda, and invaded the state of Mato Grosso (which, together with Paraná, are the only states that border Paraguay).

At the end of all the battles, the Paraguayans took the worst casualties. 75% of the country’s population was killed; of 800,000 inhabitants, only 194,000 were left. With this victory, England once again returned to economic domination of the region, and Brazil and Argentina managed to take 140,000 kilometers of the land they wanted.

But what about the slaves? How did they enter the War?

The whites “logically” didn’t want to be on the front line of battle, so they created a law saying that blacks who entered the war and returned alive would win their liberty. What the whites didn’t anticipate was that the majority of the blacks who went… actually returned!!

The slaves had an advantage thanks to capoeira, because at the time, battles depended more on hand-to-hand fighting than on weapons. So, on their way back, on the margins of the Paraná River, the now ex-slaves sang:

Vou dizer à minha mulher, Paraná
Capoeira que venceu, Paraná…     [Venceu a guerra]
Paraná ê, Paraná ê, Paraná.
Ela quis bater pé firme, Paraná        [Ela = a guerra]
Isso não aconteceu, Paraná…

I will tell my wife, Paraná
That capoeira won [the war], Paraná
Paraná ê, Paraná ê, Paraná.
It [the war] wanted to stamp its foot hard, Paraná
This did not happen, Paraná

Despite the tragedy for Paraguay, the war was an important milestone in the life of slaves in Brazil. Because of this, it is commemorated to this day in ladainhas and corridos throughout the country.

Here is the original link http://www.capoeira-connection.com/main/content/view/195/73/

Happy Birthday in the Roda

By admin, April 30, 2009 9:33 pm

Here is the birthday song in Portuguese. We sing this song for all of the birthday rodas so get to know it. I included a pretty awesome video for you to sing along with. (No, really, this video is great!)

Parabéns pra você
Nesta data querida
Muitas felicidades
Muitos anos de vida!

[youtube=http://www.youtube.com/watch?v=fKoIma8NDYs&hl=en&fs=1]

$5 Beginner Day

By admin, April 23, 2009 5:40 pm

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We’re pleased to invite you all to our upcoming $5 Beginner Sunday on Sunday May 3rd! For those of you that haven’t attended one of our special events in the past, Beginner Sundays are your chance to try out as many of our classes as you like at an introductory level for just $5. This spring has brought us several exciting new classes that we’re eager to share with you all, and hope you’ll join us in welcoming our newest instructors and students to the Aceituno Arts community.

The Beginner Sunday schedule will be as follows:

9:00 – 10:15 AM –  Bhakti Flow yoga with Mike Richardson

10:30 – 11:45 AM – Capoeira with Monitor Palhaço and Monitora Andorinha

12:00 – 1:15 PM – Jeet Kune Do and Philipino Martial Arts with Sharon Cadabona

1:30 – 2:45 PM – Bollywood Dance with Seema Shah

3:00 – 4:15 PM – Pole La Teaze Poledancing with Shelly Lamb

Location:

Aceituno Arts Cooperative 2141 Mission St (at 17th), Suite 200 San Francisco CA 94110

(http://maps.google.com/maps?hl=en&client=firefox-a&q=2141+Mission+St+SF+CA&ie=UTF8&split=0&gl=us&ei=3u3oSZTBAqTitAOU1dj2AQ&ll=37.763217,-122.419088&spn=0.009279,0.019312&z=16&iwloc=A)

Each of our instructors will be teaching a class tailored specifically to beginners, so no experience is necessary, and $5 gets you an entire day of classes! Spread the word, invite your friends, and we hope to see you there =)

Questions? Send us an email at aceitunoartscooperative@gmail.com or check out our website at http://www.aceitunoarts.com

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