Posts tagged: capoeira

Omulu Capoeira Guanabara Batizado-San Francisco

By admin, August 13, 2009 3:27 am

Our batizado is right around the corner. Here are the details:

Wednesday, August 19th

  • 4:00-5:15 Music Workshop ($10) @ Aceituno Arts, 2141 Mission Street, San Francisco 94110 (Mission District)
  • 6:30-10:00 Capoeira Workshops @ Harvey Milk Center, 50 Scott Street, San Francisco, 94117 (Castro)

Thursday, August 20th

  • 4:30-5:30 Open Roda @ 24th st.and Mission st., 94110
  • 6:30-10:00 Capoeira Workshops @ Harvey Milk Center, 50 Scott Street, San Francisco, 94117 (Lower Haight)

Friday, August 21st

  • 4:00-5:15 Music Workshop ($10) @ Aceituno Arts, 2141 Mission Street, San Francisco 94110 (Mission District)
  • 6:30-10:00 Capoeira Workshops @ Harvey Milk Center, 50 Scott Street, San Francisco, 94117 (Lower Haight)
  • 11:00-1:00 am Celebration for Mestre’s 50 years of capoeira @ Aceituno Arts 2141 Mission Street, San Francisco 94110

Saturday, August 22nd (Batizado)

  • 10:30 am-3:30 pm San Francisco Batizado @ Harvey Milk Center, 50 Scott Street, San Francisco, 94117
  • 10:00 pm-2:00 am Party at Pena Pacha Mama with Fogo na Roupa (Carlos Aceituno’s Brazilian Bateria) $10 at the door

***Individual workshops are $30. Each day there are 2 workshops. The first workshop is 6:30-8:00 and the second is 8:30-10:00. (if you plan on attending only the second workshop please get there at 8:00 to warm-up). Batizado without the package costs $60.

Getting to San Francisco from SFO or Oakland

For those of you flying in from out of town it is really easy to get to the city from the airport. The BART (The Bay Area subway system) has a stop at the airport and you can take that into the city. Go to this website for further info http://tripplanner.transit.511.org/mtc/XSLT_TRIP_REQUEST2?language=en. This website works for both SFO and Oakland. This website will also give you the routes for the MUNI (the san francisco bus system).

Housing

As for housing, we are working that out right now. Once we get everything settled which should be within this week, we will have your hosts contact you.

San Francisco Resources

Also, for those of you out-of-towners, there are a lot of things to do in the Bay Area. Here are some websites that you can check out that will give you some good places to check out.

http://www.sfstation.com/ (General san francisco guide)

www.yelp.com (Great website that will give you great restaurant and shopping recommendations)

http://www.onlyinsanfrancisco.com/

We look forward to this years batizado!

Instructor photo from lasts years SF batizado (2008)

Instructor photo from lasts years SF batizado (2008)

It's Batizado Time!

By admin, September 16, 2008 8:56 pm

Everybody, start planning for your week to get a little crazy. This is just the nature of batizado week.
Here is the batizdo info:

Both the workshops and Batizado will be held at Glen Canyon Park. This is the same location of the Batizado last year. Here’s the details:
70 Elk St
San Francisco, CA 94131

Get Directions

(415) 337-4705

Google Map =
http://maps.google.com/maps?f=q&hl=en&geocode=&q=Glen+Park+Recreation+Center,+Bosworth+St,+San+Francisco,+CA&sll=37.784529,-122.445465&sspn=0.007657,0.016522&ie=UTF8&ll=37.73607,-122.440593&spn=0.015324,0.033045&z=16&iwloc=A

Workshops – 2 per night
Thursday, September 18th
Workshop #1 – 6:30 – 8pm
Workshop #2 – 8:30 – 10pm

Friday, September 19th
Workshop #1 – 6:30 – 8pm
Workshop #2 – 8:30 – 10pm

Drop-in Cost = $35 per workshop

Workshops will be taught by our guests, order being left up to the discretion of Mestre Preguica. Please arrive a least 30 mins before hand to allow for proper sign up and strectching before each workshop.

Batizado
Saturday, September 20th
Capoeirista arrival time = 2 pm
Batizado Start Time = 4 pm

We're Baaaaack!!!

By admin, July 25, 2008 2:01 am

YESSSS!!! We are back from a month long journey throughout Guatemala. It was really a fabulous trip. We traveled all throughout the country and it must be the greenest and most beautiful country I have been to.

BUT, all good things must come to an end. This means that we are back to training and back to blogging.

Capoeira Etiquette #4- The Angola Roda

By admin, April 30, 2008 4:48 pm
I pulled this off of another blog. This was written by an Angoleiro and is really great advice for all of us non-Angloeiros in interacting in an Angola roda. Many of you know that Angola rules are very different than ours. Here is the link to the actual posting. There is a lot of great info on this site that you will find helpful to learning more about the different aspects of capoeira. Check it out!
http://angoleiro.wordpress.com/2008/03/03/surviving-a-capoeira-angola-roda/

This might be of high interest for all of you people who want to try playing Capoeira Angola in a Roda de Capoeira Angola. The reason I start this topic is because I have seen a couple of people who usually train Capoeira Contemporeana and then end up being very frustrated in a Capoeira Angola roda.

The first reason for this is quite obvious. You are a stranger in the group and have a different style, which usually leads to “mis-communication” in play. Even if you take care of all the subtle things you have to do when you show up in a new group (introducing yourself to the trainer of the group, sticking to the movements the trainer does show, dont put yourself into the first row while training and so on….), you will have problems orienting yourself in a Capoeira Angola roda.

I´ll just name the mistakes (in random order…)

Buying the game

Buying the game is far less common in Capoeira Angola rodas than in rodas of modern Capoeira. Usually the person being in charge of the roda (if you dont know it, a hint: it might be the guy with the gunga) does tell when a play starts and when it ends. You can “choose” your favorite game in positioning yourself in the circle of people, because usually the ones being closest to the batteria will play the next game, succeeded by those who are next in line. Do never attempt to buy a game without the headhoncho saying this explicitly.

Entering the Roda with an Aú

Actually it is not forbidden to start the game with an Aú. In some Contemporeana groups it is oligatory to do this. It definitely puts the two players directly into the middle of the Roda. But in a Capoeira Angola roda you start quite close to each other. If you start with an Aú mean players won´t insist giving you a straight Cabecada. And there is another reason for this. A good Capoeira Angola play does live from its development. You start being close, slow, almost ritualistic. In a Jogo de Dentro which takes a minute or two. And as you approach the middle of the roda, the players get more apart from each other. The game gets faster, higher and sometimes rougher (of course everything depends on the players, their experience, mood, relationship and maybe on daily constellations of the stars). In jumping into the Aú in the beginning you skip all the steps in between.

Fast start

If you are “lucky” and are chosen to play the first game, wait. Dont start playing when the music starts. This is actually common in every roda, but in Capoeira Angola rodas you always have the introducing songs (Ladainha and Saudacao) where you wait and stay sitting in front of the berimbaus. And even when they start singing the common capoeira songs (corridos), wait until the person in charge gives you a signal.

Hit the air

A capoeira angola game is usually played with the partners being close to each other. If you are in a certain distance and just do kicks into the air somewhere between you and your partner, it is disregarded as boring play or at least unneccessary play. This could result in the other player making jokes about you, while you are playing. Very embarrassing.

The Open Aú

This is an obvious issue. Don´t do Aús where your upper body is totally exposed. The Angoleiro in front of you will come to the idea that that´s a perfect target for a head-butt! In this case players of modern Capoeira must concentrate on doing a “close” Aú, having their knees and feet close to the torso, not stretched out. I know you can do it ;)

Taking the teasings serious

This is actually a problem EVERYbody encounters in an Angoleiro roda. In the game of Angola there is a lot of teasing the other. This can be in a theatrical and nicer way (e.g. when I did a flashy movement which was completely unneccessary, the mestre I was playing with stood in the roda and was mimicking a photographer) or in a less nice way (e.g. sitting at the bateria and your opponent turns to the bateria, sings with his whole voice, spreads his arms, and hits your head with the back of his hand). That’s part of the mailicia, that’s part of the game. Yeah, of course he is teasing YOU, but still it is nothing personal. It is as personal as a Meia Lua you couldnt dodge. Of course you have the full right to tease back or to revenge this with other actions in the roda. But if you take it personal and (in the worst case) apply a direct into-the-face kick just because he was teasing you, then it will be considered poor/brute/un-intelligent game of you. But if you take the teasings, repay them in a similar, or other but more creative way, then everybody will consider your play being smart!

Mistakes in the Chamada

A chamada

Actually the Chamada is a story of its own and I even now feel the need to explain it excessiveley. In short. A chamada is a very ritualistic part of the Capoeira Angola game. It exists for seceral reasons:

1. calm down the game when it got a little bit too rough

2. as a small pauze in between (as Angola games can take long sometimes you really need a second or two)

3. as a time for recovery when you just got a bad hit and now want to get back into the game

4. as stylistic intermezzo in the game.

5. as a test (how far you know about the ritual and the malicia of the Angola game)

The fifth reason is important in this case. The Chamada, with all it’s ritual and all it’s peaceful behaviour, is still part of the Capoeira game. And as everybody (who plays Capoeira) knows, hits and kicks are not forbidden as long as you are in the roda. So even while you are “dancing” in the chamada the other person might want to find out if your attention is all there. Of course, it’s good to know how to answer to a chamada. there are different chamadas. That means you should learn all of them. If you dont know a certain chamada, do not hesitate to show your uncertainity. Be very careful approaching a chamada. And – and this one is reaaally important: a chamada is a call. It is, as I said, also a kind of a test. So if you are playing with a Mestre, don’t call him into a chamada. Not all Mestres are sensitive about that. But there are some which are. And why? Well, who does give YOU the right to call a Mestre into a small test?

I think I forgot some things, but this is at least a good guideline. Feel free to add things or argue about one or other.

P.S. not all points are equally important. And the importance of some things are changing from group to group. The possible pitfalls I have given are those I have seen personally.

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